Lot Essay
The window-pier table, of black-figured calamander wood with plinth-supported pillars on a Grecian-scrolled claw, was designed to harmonise with a central Drawing Room 'Loo' table; and reflects 'French 'Louis Quatorze' fashion with its frieze inlay of palm-flowered and Grecian-scrolled tablets in golden brass.
In addition, the Grecian-black ribbon-banding of the scroll-fronted top displays 'Egyptian' sunbursts and fretted wave-scrolls; while sun-disc bas-reliefs embellish the plinth trusses, which are inlaid with antique flutes.
It was designed in 1810 by George Oakley for Charles Madryll Cheere to harmonise with the classical architecture then being introduced at Papworth Hall, Cambridgeshire by his architect George Byfield (d.1813). Its accompanying, 'circular loo table' was invoiced at £31.10.6.
In addition, the Grecian-black ribbon-banding of the scroll-fronted top displays 'Egyptian' sunbursts and fretted wave-scrolls; while sun-disc bas-reliefs embellish the plinth trusses, which are inlaid with antique flutes.
It was designed in 1810 by George Oakley for Charles Madryll Cheere to harmonise with the classical architecture then being introduced at Papworth Hall, Cambridgeshire by his architect George Byfield (d.1813). Its accompanying, 'circular loo table' was invoiced at £31.10.6.