Pierre-Auguste Renoir (1841-1919)
Pierre-Auguste Renoir (1841-1919)

Portrait de Pierre Renoir

Details
Pierre-Auguste Renoir (1841-1919)
Portrait de Pierre Renoir
signed 'Renoir.' (upper left)
oil on canvas
14 x 12 in. (35.6 x 30.5 cm.)
Provenance
Estate of the artist.
Pierre Renoir, Paris (by descent from the above).
Jos Hessel, Paris.
Galerie Albert Skira, Geneva.
Anon. sale, Sotheby's, London, 26 March 1980, lot 6.
Acquired by the present owner, circa 1993.
Literature
T. Bernard, "Jos. Hessel," La Renaissance, January 1930, p. 9 (illustrated).
M. Drucker, Renoir, Paris, 1944, pl. 138 (illustrated).
M. Drucker, Renoir, Paris, 1955, pl. 118 (illustrated).
Exhibited
Geneva, Galerie Albert Skira, Renoir, February-March 1942, no. 8.
Nagoya, City Art Museum; Hiroshima Museum of Art, and Nara Prefectural Museum of Art, Renoir Retrospective, October 1988-April 1989, no. 79.
Sale room notice
This work will be included in the forthcoming catalogue critique of Pierre-Auguste Renoir being prepared by the Wildenstein Institute established from the archive funds of François Daulte, Durand-Ruel, Venturi, Vollard and Wildenstein.

Guy-Patrice and Michel Dauberville have confirmed that this painting is recorded in their Bernheim-Jeune archives as an authentic work.

Please note this work was not included in the Renoir Retrospective exhibition in Japan as indicated in our cataloguing.

Please also note the following additional literature references:
T. Bernard, "Jos. Hessel," in La Renaissance, February-March 1942, no. 8.
M. Drucker, Renoir, Paris, 1944, pl. 142 (illustrated in color).

Lot Essay

The present work is a portrait of Pierre, the first child of Aline Charigot and the artist. Pierre was six months old when his father first began to use him in his compositions. While long curls were in fashion for young boys in the late 1880s, Renior was inspired to paint portraits of his children prior to their first haircut, in an effort to capture their childhood innocence. Once their tresses were cut, however, Renoir rarely used them as models. Thus, Pierre was eventually replaced by his younger brother Jean, who in turn was replaced by Claude.

Göutz Adriani has written:

Few painters besides Renoir had mastered the difficult task of portraying children in an appropriate--i.e. child-oriented--way. Renoir's own interpretations of the theme treat the child and its inner world with great caution, loving interest and a natural humanity that avoids all traces of coquettishness, affection or mawkish sweetness. With respect to children in particular, Renoir was a highly objective observer (in Renoir, exh. cat., Kunsthalle Tübingen, 1996, p. 282).

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