MARIE-GABRIELLE CAPET (FRENCH, 1761-1818)
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MARIE-GABRIELLE CAPET (FRENCH, 1761-1818)

Comtesse de Genlis (1746-1831), seated on a wooden chair, in white dress with brown sash, white scarf tied in a bow at neck, gold hoop earrings, straw bonnet in her powdered curling hair tied with long brown satin ribbons; foliate and landscape background

Details
MARIE-GABRIELLE CAPET (FRENCH, 1761-1818)
Comtesse de Genlis (1746-1831), seated on a wooden chair, in white dress with brown sash, white scarf tied in a bow at neck, gold hoop earrings, straw bonnet in her powdered curling hair tied with long brown satin ribbons; foliate and landscape background
signed and dated 'm:G. capet. an. 6' (mid-left)
2¾ in. (71 mm.) diam., gilt-metal frame
Provenance
Laurent Laperlier (1824-1867) Collection, Paris; Hôtel Drouot, Paris, 11-13 April 1867, lot 194 (46 gold francs).
Literature
A. Maze-Sencier, Le livre des collectionneurs, Paris, 1885, p. 497 (sitter unidentified).
A. Doria, Gabrielle Capet, Paris, 1934, p. 78, no. 69 (sitter unidentified).
Special notice
No VAT will be charged on the hammer price, but VAT at 15% will be added to the buyer's premium which is invoiced on a VAT inclusive basis.

Lot Essay

Stéphanie Félicité Ducrest de St-Aubin, was born of a noble Burgundian family, but her father's bankruptcy changed her destiny. Growing up in poverty, she acquired an encyclopedic knowledge and searched for a wealthy husband. In 1762, she married Charles de Genlis, a colonel of the grenadiers, who afterwards became Marquis de Sillery, but this did not interfere with her determination and social ambitions. Through the introduction of her aunt, the marquise de Montesson, mistress and later morganatic wife of the Duke of Orléans, she met the son of the Duke of Orléans, the later Philippe-Egalité who had just got married, and became his mistress. She also acquired the title of Governess of the Orléans Princesses and, in 1782, that of Governess of the three sons of her lover. Initially adamant of the ideas of the French Revolution, she emigrated in 1791. Later, Napoleon used her as a spy. The return of the Bourbons in 1815 changed her life for the worse and she had to live on the royalties from her numerous previous novels.
A similar portrait of Madame de Genlis by Marie-Gabrielle Capet's teacher Adélaïde Labille-Guiard is illustrated in A. M. Passez, Adélaïde Labille-Guiard, Paris, 1973, p. 233, pl. LXXXIX.

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