Details
A FINE AND RARE WHITE JADE WATER COUPE
QING DYNASTY, 18TH CENTURY

The compressed ovoid bowl finely carved with a musical stone suspending a pierced xi character, 'happiness', over the mouth rim forming a bridge across the top and terminating in tassels at the spout, flanked by a pair of handles designed with lotus blossoms and lingzhi, all raised on four short feet, the stone of semi-translucent white tone with a few russet flecks
4 1/8 in. (10.5 cm.) across the handles
Literature
Robert Kleiner, Chinese Jades from the Collection of Alan and Simone Hartman, Hong Kong, 1996, no. 105
Exhibited
Christie's New York, 13-26 March 2001
Museum of Fine Arts, Boston, August 2003 - December 2004

Lot Essay

The present vessel is a smaller version of another coupe in the Hartman Collection, illustrated by Robert Kleiner, ibid., no. 67. The present vessel is small enough to fit perfectly into the palm of the hand, making it an ideal water vessel used to add a controlled flow of water to the inkstand in the preparatory stage of grinding ink for painting or calligraphy.

As there is only a single xi character on the present water coupe, it is possible that this vessel was originally made as part of a pair, to be presented as a wedding gift.

The design of the bridge and suspending tassels can also be found on a brushwasher in the Palace Museum, Beijing, illustrated in Zhongguo Yuqi Quanji, vol. 6, no. 318; a very similar water-pot from the Helen and Peter Collection was included in the 45th Anniversary Exhibition of the Min Chiu Society, Auspicious Emblems, Hong Kong, 2005, and illustrated in the Catalogue, no. 218; a slightly smaller water-pot of comparable design is illustrated by Yang Boda (ed.), Essence of Qing Jades, Hong Kong, 1995, pp. 200-201; an example with a Shou character on the bridge is in the Tianjin Municipal Museum, illustrated in Cang Yu, Hong Kong, 1993, pls. 204-205; and another also with a Shou symbol, was included in the Indianapolis Museum of Art exhibition, Three Dynasties of Jade, 1971, illustrated in the Catalogue, no. 44.

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