Details
A VERY RARE PAIR OF WHITE JADE VASES
QIANLONG PERIOD (1736-1795)

Each with a spherical body finely carved in Mughal style with a broad band of Indian lotus, surmounted by a cylindrical neck encircled by pendent cicada blades filled with fret pattern and stylised animal motifs, the Qianlong mark inscribed in kaishu within the countersunk base, the semi-translucent stone with a slight celadon tinge
6 in. (15.2 cm.) high, ivory stands (2)
Provenance
F. Langweil Collection, Paris
Marie Louise Patterson Collection, sold at Parke Bernet Gallery, New York, 19 March 1938, lot 310
Mrs George Vetlesen Collection
Christie's Hong Kong, 13 January 1987, lot 322
Literature
Stanley Charles Nott, Chinese Jade Carvings of the XVIth to XIXth Century in The Collection of Mrs. George Vetlesen
Robert Kleiner, Chinese Jades from the Collection of Alan and Simone Hartman, Hong Kong, 1996, no. 134
Christie's 20 Years in Hong Kong 1986-2006, Chinese Ceramics and Works of Art Highlights, Hong Kong, 2006, p. 360
Exhibited
Christie's New York, 13-26 March 2001
Museum of Fine Arts, Boston, August 2003 - December 2004

Lot Essay

These vases are finely carved in low relief in Mughal style which became fashionable at court in the mid 18th century. Mughal jades entered the court as tribute to the Qianlong emperor during this time, and there are numerous imperial poems in praise of the foreign artworks, extolling the exotic qualities of the jades, especially their lightness and the subtlety of their low relief designs which can be seen through their thin walls. With this Mughal influence and under the Emperor's orders, a large number of Chinese jades were carved in the style of the Mughal works or copying their desirable qualities, as is the case with the present lot with its simple and elegant low-relief carving.

The shape of the vases themselves are based on glass examples from the same period, with the globular lower body, cylindrical neck and low-relief carved decoration.

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