Rembrandt Harmensz. van Rijn
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Rembrandt Harmensz. van Rijn

Saint Jerome beside a Pollard Willow (B., Holl. 103; H. 232)

Details
Rembrandt Harmensz. van Rijn
Saint Jerome beside a Pollard Willow (B., Holl. 103; H. 232)
etching with drypoint, 1648, a fine impression of the second, final state, with considerable burr, thread margins, a horizontal crease into the subject at the lower left, a small repair just inside the lower platemark at the centre right, a small abraded area at the centre above, the tip of the upper left corner repaired, otherwise in generally good condition
P. 180 x 133 mm., S. 184 x 135 mm.
Provenance
R. Ledoux-Lebard (L. 1739).
Special notice
No VAT will be charged on the hammer price, but VAT at 15% will be added to the buyer's premium which is invoiced on a VAT inclusive basis. On occasion, Christie's has a direct financial interest in lots consigned for sale which may include guaranteeing a minimum price or making an advance to the consignor that is secured solely by consigned property. This is such a lot. This indicates both in cases where Christie's holds the financial interest on its own, and in cases where Christie's has financed all or a part of such interest through a third party. Such third parties generally benefit financially if a guaranteed lot is sold successfully and may incur a loss if the sale is not successful.

Lot Essay

'A tree study with Saint Jerome thrown in' is how A.M. Hind described this stunning print. It was common in the Northern European tradition to represent the saint with a dead tree and crucifix, an association made more meaningful here by the flowering branch growing directly over the saint as a symbol of regeneration. In the foreground the rushes and water have been drawn in with drypoint. The enclosed bower, which surrounds the Saint, is given seclusion by the addition of high rocks and a waterfall some distance behind. It is a place of rural peace, undisturbed by the noise of humanity.

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