Rembrandt Harmensz. van Rijn
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Rembrandt Harmensz. van Rijn

Landscape with three gabled Cottages beside a Road (B., Holl. 217; H. 246)

細節
Rembrandt Harmensz. van Rijn
Landscape with three gabled Cottages beside a Road (B., Holl. 217; H. 246)
etching with drypoint, circa 1650, a very good impression of the third (final) state, with burr, horizontal wiping scratches in the sky, trimmed to the platemark above, with thread margins elsewhere, defects at the upper sheet corners (outside the platemark), the left sheet edge with minor thin spots verso, otherwise in generally good condition
P., S. 162 x 205 mm.
來源
A. Morrison (L. 151).
P. Mathey (L. 2100b).
注意事項
No VAT will be charged on the hammer price, but VAT at 15% will be added to the buyer's premium which is invoiced on a VAT inclusive basis. On occasion, Christie's has a direct financial interest in lots consigned for sale which may include guaranteeing a minimum price or making an advance to the consignor that is secured solely by consigned property. This is such a lot. This indicates both in cases where Christie's holds the financial interest on its own, and in cases where Christie's has financed all or a part of such interest through a third party. Such third parties generally benefit financially if a guaranteed lot is sold successfully and may incur a loss if the sale is not successful.

拍品專文

This print is related to a drawing entitled Cottages on the Schinkelweg, looking towards the Overtoom (Benesch 835), a place a few kilometres to the south-west of Amsterdam in the direction of Sloten. It represents his most mature treatment of a subject that absorbed Rembrandt over many years - a view down a road lined with cottages. The recession towards the houses in the distance at left is particularly effective, and it is the first landscape in which he used drypoint extensively.