Lot Essay
This print and Clump of Trees with a Vista (lot 260) are the only landscapes Rembrandt executed entirely in drypoint. The technical directness and the detailed observation of the farmstead raise the possibility that the print was executed en plein air. Gersaint has suggested that Rembrandt took prepared copper plates with him into the countryside, and the ease with which drypoint can be used suggests this might have been feasible. Perhaps he used the same method for this prints as for Clump of Trees with a Vista: working on the main elements of the composition from life, then revising and enhancing it further when back in the studio.