Lot Essay
It has been put forward that the cameo can be attributed to the Masnago family, circa 1560, on the grounds of its similarity to a version in Vienna in a mounting datable to 1560-1570; and that it is the work of Antonio Masnago (dates uncertain), the father of Alessandro (1540-1620), on the grounds of choice of stone and the perfect circular form
Cf. J. Kagan, O. Neverov, Splendeurs des Collections de Catherine II de Russie - Catalogue de l'Exposition, Centre Culturel du Pantheon, Paris, 2000, No. 67
Cf. Y. Hackenbroch, Renaissance Jewellery, P. Wilson, 1979, p. 198, No. 547
Cf. J. Kagan, O. Neverov, Splendeurs des Collections de Catherine II de Russie - Catalogue de l'Exposition, Centre Culturel du Pantheon, Paris, 2000, No. 67
Cf. Y. Hackenbroch, Renaissance Jewellery, P. Wilson, 1979, p. 198, No. 547