Lot Essay
This style of lacquer work, known as 'lacque burgauté', is of Chinese origin and involves dying layers of mother-of-pearl into pink, blue, green and purple tones, so as to create vivid contrasts of colour in extremely detailed scenes.
Towards the end of the Qing dynasty (1644-1912), this method spread to Japan, which became the centre of industry in the nineteenth century. It is also believed that most of the lacquer used by Cartier was either made in Japan or in the neighbouring Ryukyu islands.
Cf. J. Barraca, G. Negretti, F. Nencini, Le Temps de Cartier, Wrist International Srl, Milan, 1989, p. 79
Cf. Christie's Geneva, Jewellery and Objects by Cartier, 27 May 1993, lot 825
Towards the end of the Qing dynasty (1644-1912), this method spread to Japan, which became the centre of industry in the nineteenth century. It is also believed that most of the lacquer used by Cartier was either made in Japan or in the neighbouring Ryukyu islands.
Cf. J. Barraca, G. Negretti, F. Nencini, Le Temps de Cartier, Wrist International Srl, Milan, 1989, p. 79
Cf. Christie's Geneva, Jewellery and Objects by Cartier, 27 May 1993, lot 825