A PAIR OF NORTH ITALIAN GILTWOOD OPEN ARMCHAIRS
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A PAIR OF NORTH ITALIAN GILTWOOD OPEN ARMCHAIRS

CIRCA 1700, PROBABLY GENOA, THE UPHOLSTERY FROM TRELLE, FRANCE, AND SUPPLIED BY FILIPPO PEREGO CIRCA 1960

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A PAIR OF NORTH ITALIAN GILTWOOD OPEN ARMCHAIRS
CIRCA 1700, PROBABLY GENOA, THE UPHOLSTERY FROM TRELLE, FRANCE, AND SUPPLIED BY FILIPPO PEREGO CIRCA 1960
Each with close-nailed cut-velvet upholstery and foliate-carved downswept arms, above an undulating pierced frieze, on square-section legs joined by stretchers, the reverse in checked-cotton, with apparently original gilding and webbing (2)
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Lot Essay

These chairs are in a remarkable state of preservation still retaining what appears to be their original webbing. They were undoubtedly commissioned for a Baroque Palazzo and would have been placed around the walls of the 'Rooms of Parade'. It is probable that they remained in the original collection for which they were commissioned until the early 20th century.

With their herm-tapered pilaster legs tied by wave-scrolled stretchers centred by an urn-stand these chairs reflect the influence of the Louis Quatorze Roman fashion popularized by Jean Le Pautre (d.1682) and his engraved Oeuvres such as: Les Cabinets, Livre de Lit a la Romaine, and Livre de Miroirs, Tables et Gueridons.

A related Louis XIV carved giltwood armchair originally from the collection of Baron Gustave de Rothischild and then acquired from Galerie Maurice Ségoura, Paris until sold Sotheby's London, 7 December 2000, lot 76, £21,200.

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