Lot Essay
The design for this sideboard or meuble d'appuie is based on a commode designed and executed by Charles Cressent circa 1749, which is now in the collection of the Louvre, Paris.
See also: D. Alcouffe ed., Furniture collections in the Louvre,
Dijon 1993, Vol. 1, nr. 40, p. 128-129.
The active career of Charles Cressent spans the years between 1719 and 1757. He is certainly the ébéniste whose work is most representative of the Régence style. The dominant theme in Cressent's work is the extensive role of sculptural decoration. His furniture is covered with such a profusion of gilt-bronze or varnished mounts that the ébénisterie is finally no more than a vehicle for displaying the decoration.
See also: D. Alcouffe ed., Furniture collections in the Louvre,
Dijon 1993, Vol. 1, nr. 40, p. 128-129.
The active career of Charles Cressent spans the years between 1719 and 1757. He is certainly the ébéniste whose work is most representative of the Régence style. The dominant theme in Cressent's work is the extensive role of sculptural decoration. His furniture is covered with such a profusion of gilt-bronze or varnished mounts that the ébénisterie is finally no more than a vehicle for displaying the decoration.