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Details
Photographic prints and literature
comprising many lithographic images, some by Daumier, referring to the popular enthusiam for Daguerreotypes and Photography; an etching in red ink by Felicien Rops titled Les Bas-fonds de la Société; also an illustrated programme for the 1897-98 season of the Théâtre de la Porte-Saint-Martin, the Journal Amusant no. 36, 1856 with eight pages of satirical drawings and text by Marcelin relating to photography and a printed business card of Viscountess Hawarden (a lot)
comprising many lithographic images, some by Daumier, referring to the popular enthusiam for Daguerreotypes and Photography; an etching in red ink by Felicien Rops titled Les Bas-fonds de la Société; also an illustrated programme for the 1897-98 season of the Théâtre de la Porte-Saint-Martin, the Journal Amusant no. 36, 1856 with eight pages of satirical drawings and text by Marcelin relating to photography and a printed business card of Viscountess Hawarden (a lot)
Literature
Thomas Ganz (1994), Die Welt im Kasten, p. 95, 102, 103
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