Marc Chagall (1887-1985)
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Marc Chagall (1887-1985)

La danse au village

Details
Marc Chagall (1887-1985)
La danse au village
signed and dated 'Chagall 1907.8' (lower centre)
pencil on paper
4¾ x 4 1/8 in. (11 x 10.2 cm.)
Drawn circa 1907-1908.
Provenance
David McNeil (the artist's son), Paris, by descent from the artist (no. D 1479).
Acquired fron the above by the present owners in 1987.
Literature
V. Rakitin, Chagall, Disegni inediti dalla Russia a Parigi, Milan, 1989, p. 26 (ill. p. 27).
Exhibited
Milan, Studio Marconi, Marc Chagall, Disegni inediti dalla Russia a Parigi, May - July 1988; this exhibition later travelled to Turin, Galleria della Sindone, Palazzo Reale, Dec. 1990 - Mar. 1991; Catania, Monastero dei Benedettini, Oct.- Nov. 1994; Meina, Museo e centro studi per il disegno, June - Aug. 1996.
Hannover, Sprengel Museum, Marc Chagall, "Himmel und Erde", Dec. 1996 - Feb. 1997.
Darmstadt, Institut Mathildenhöhe, Marc Chagall, Von Russland nach Paris, Zeichnungen 1906-1967, Dec. 1997 - Jan. 1998.
Abbazia Olivetana, Fondazione Ambrosetti, Marc Chagall, Il messaggio biblico, May - July 1998.
Klagenfurt, Stadtgalerie, Marc Chagall, Feb.- May 2000, p. 33 (ill.).
Florida, Boca Raton Museum of Art, Chagall, Jan.- Mar. 2002.
Special notice
VAT rate of 5% is payable on hammer price and at 15% on the buyer's premium

Lot Essay

This work is sold with a photo-certificate from David McNeil.

Chagall spent most of the winter of 1907-1908 in St. Petersburg, where he earned money as a retoucher for a local photographer. However, he made frequent visits to his hometown, and to a small town nearby Lyozno, where his grandfather worked as a butcher. It seems that this work was drawn in Lyozno, offering an amusing fragment of Russian provincial life, with a short plump man clinging on to a taller woman and trying to lead the dance, with a glass in his left hand.

This clumsy dance echoes the drawing Le Bal of 1907 (M 3), an almost satirical depiction of peasants treading and stamping on each other's feet in an attempt to dance. As well as underlining the rustic life of these people in the present sketch, Chagall counterparts the banal realism of his first art teacher, Jehuda Pen, who specialised in academic-style portrait and genre paintings of the Salons.

Although Chagall did not yet know Van Gogh's or even Pieter Brueghel's works, La Danse au village is certainly close in subject and spirit to the latters' scenes of drunk peasants dancing and feasting.

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