Marc Chagall (1887-1985)
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Marc Chagall (1887-1985)

Autoportrait

Details
Marc Chagall (1887-1985)
Autoportrait
signed 'Marc Chagall' (lower left)
pen, brush and India ink on paper
7 7/8 x 9 5/8 in. (20 x 24.5 cm.)
Executed circa 1940
Provenance
David Mac Neil (the artist's son), Paris, by descent from the artist (no. D 1981).
Acquired from the above by the present owners in 1987.
Literature
V. Rakitin, Chagall, Disegni inediti dalla Russia a Parigi, Milan, 1989, p. 130 (ill. p. 131).
Exhibited
Milan, Studio Marconi, Marc Chagall, Disegni inediti dalla Russia a Parigi, May - July 1988; this exhibition later travelled to Turin, Galleria della Sindone, Palazzo Reale, Dec. 1990 - Mar. 1991; Catania, Monastero dei Benedettini, Oct.- Nov. 1994; Meina, Museo e centro studi per il disegno, June - Aug. 1996.
Hannover, Sprengel Museum, Marc Chagall, "Himmel und Erde", Dec. 1996 - Feb. 1997.
Darmstadt, Institut Mathildenhöhe, Marc Chagall, Von Russland nach Paris, Zeichnungen 1906-1967, Dec. 1997 - Jan. 1998.
Abbazia Olivetana, Fondazione Ambrosetti, Marc Chagall, Il messaggio biblico, May - July 1998.
Klagenfurt, Stadtgalerie, Marc Chagall, Feb.- May 2000, p. 57 (ill.).
Florida, Boca Raton Museum of Art, Chagall, Jan.- Mar. 2002.
Special notice
VAT rate of 5% is payable on hammer price and at 15% on the buyer's premium

Lot Essay

This work is sold with a photo-certificate from David Mac Neil.
In this self-portrait, Chagall portrays himself as a circus master watching the animal's twisted acrobatics. Chagall draws his main features of the nose, eyes and mouth in a caricature-like style and with very few strong lines, enhancing them with the figure's dark hair and the suggestive lines which complete the portrait on the right.

Amongst Chagall's many self-portraits, the present one stands out as Chagall disguises himself not as an artist or an acrobat, but as a self-assured stage or circus director, preparing his show for the viewers, the exciting show of his own art, therefore underlying his self-confidence and his consciousness of his success.

By the 1930s, Chagall's reputation was already well established, his work having been exhibited in Moscow, Paris, Berlin, Cologne and Dresden, and he also founded the academy of arts in Vitebsk in 1918, to which he was much dedicated.

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