Marc Chagall (1887-1985)
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Marc Chagall (1887-1985)

L'écuyère

Details
Marc Chagall (1887-1985)
L'écuyère
signed 'Chagall' (lower right)
pen and ink and pencil on paper
6¼ x 8¼ in. (15.8 x 21 cm.)
Executed circa 1925
Provenance
David McNeil (the artist's son), Paris, by descent from the artist (no. D 1072).
Acquired from the above by the present owners in 1987.
Literature
V. Rakitin, Chagall, Disegni inediti dalla Russia a Parigi, Milan, 1989, p. 118 (ill. p. 119).
Exhibited
Milan, Studio Marconi, Marc Chagall, Disegni inediti dalla Russia a Parigi, May - July 1988; this exhibition later travelled to Turin, Galleria della Sindone, Palazzo Reale, Dec. 1990 - Mar. 1991; Catania, Monastero dei Benedettini, Oct.- Nov. 1994; Meina, Museo e centro studi per il disegno, June - Aug. 1996.
Hannover, Sprengel Museum, Marc Chagall, "Himmel und Erde", Dec. 1996 - Feb. 1997.
Darmstadt, Institut Mathildenhöhe, Marc Chagall, Von Russland nach Paris, Zeichnungen 1906-1967, Dec. 1997 - Jan. 1998.
Abbazia Olivetana, Fondazione Ambrosetti, Marc Chagall, Il messaggio biblico, May - July 1998, p. 28 (ill.).
Klagenfurt, Stadtgalerie, Marc Chagall, Feb.- May 2000, p. 53 (ill.).
Florida, Boca Raton Museum of Art, Chagall, Jan.- Mar. 2002.
Special notice
VAT rate of 5% is payable on hammer price and at 15% on the buyer's premium

Lot Essay

This work is sold with a photo-certificate from David McNeil.

In this composition, Chagall chooses to frame the elongated horse by two circus clowns yet the energy with which Chagall represents the horse's jump ironically suggests that the animal itself is more in control and the horse rider is dependant on its movements and balance in order to succeed his performance. The circus world was the perfect setting for Chagall, enabling him to display the most extraordinary shows of his imagination on stage, as he claimed, 'For me the circus is a magic spectacle which passes by like the affairs of the world and melts. There is an unsettling and a profound circus'.

Chagall's understanding of the circus world was probably influenced by his close relationship with animals and his intensive activity within the world of theatre. His passion for the circus goes back to his childhood, when he saw a family of touring acrobats perform 'on our poor road, for three or four spectators'.

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