Lot Essay
The table is designed in the early 19th century French antique fashion, with Grecian-scrolled pillars terminating in Bacchic lion-paws, while its rectangular and cut-cornered top is wreathed by Louis Quatorze 'boulle' ribbons mosaiced in black and gold chevrons in a manner associated with the St. Pauls Churchyard cabinet-maker George Oakley (d. 1840), who was noted in the 1801 Journal de Luxus und der Moden (Weimar) as being 'the most tasteful of the London cabinet makers' (M. Jourdain and R. Edwards, Georgian Cabinet Makers, London, 1944, p. 74).