A GILT AND PAINTED BRONZE FIGURE OF A SEATED BODHISATTVA
Property from the Estate of Edith Altschul Graham
A GILT AND PAINTED BRONZE FIGURE OF A SEATED BODHISATTVA

TIBETO-CHINESE, QIANLONG SEVEN-CHARACTER MARK CAST IN A LINE AND OF THE PERIOD (1736-1795)

Details
A GILT AND PAINTED BRONZE FIGURE OF A SEATED BODHISATTVA
TIBETO-CHINESE, QIANLONG SEVEN-CHARACTER MARK CAST IN A LINE AND OF THE PERIOD (1736-1795)
Representing Vajrasattva, the four-armed figure seated atop a lotus pedestal draped with pendent tabs, holding a double vajra and a bell in the principal hands, wearing a flowing dhoti, a shawl, necklaces, armlets, earrings, and a five-point crown behind which rises a tiered topknot surmounted by a small flame, the flesh areas cold gilded, the hair painted blue and the face detailed in red, black and white pigment, the nianhao, Da Qing Qianlong nian jing zuo, cast in relief in a rectangle on the front of the pedestal above the engraved characters, Diyitian, the characters, wu shang yin ti gen ben engraved on the back, the base sealed with a copper plate base engraved with a double vajra
8 in. (20.2 cm.) high

Lot Essay

This figure is identified by the inscription on the base as Diyitian (Sakra-devanam-mdra in Sanskrit), the God of Thunder and Bravery. The reverse of the base bears a further inscription which reads Wu shang yinti genben (central to the female continual study of yoga tantra).
This well-cast figure belongs to a set that was in the Baoxianglo (Pao-hsiang Lou), a former palace and temple of the Qianlong Emperor's mother. Numerous figures from this set, most of which are also inscribed with Qianlong reign marks as well as the names of divinities and other high personages, are illustrated by W.E. Clark, Two Lamaistic Pantheons, New York, 1965 reprint, while four other figures from the set are illustrated in The Many Faces of Buddha, Oglethorpe University Art Gallery, Atlanta, Georgia, 1986, pp. 48-9, no. 18. A very similar figure from this set was sold in these rooms, 21 September 2005, lot 105.

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