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拍品專文
Fratin was highly regarded for his animal sculpture, in which he expressed a sympathetic and sensitive understanding of the animal's forms. This, in the early stages, was presumably influenced by his father, who was a taxidermist. Fratin also studied under the Romantic artist Gericault.
Although he exhibited prolifically at the Salon (1831-1839, and 1850 -1864) and at the Great Exhibition of 1851, these anthropomorphic portrayal of bears were for private amusement.
Fratin worked very closely with the Paris foundries which produced his bronzes and many of his casts bear his personal stamp which has the "N" in his name reversed, as in the case of this bronze.
See Christopher Payne, Animals in Bronze, Antique Collectors' Club 1988, page 68, B1.
Although he exhibited prolifically at the Salon (1831-1839, and 1850 -1864) and at the Great Exhibition of 1851, these anthropomorphic portrayal of bears were for private amusement.
Fratin worked very closely with the Paris foundries which produced his bronzes and many of his casts bear his personal stamp which has the "N" in his name reversed, as in the case of this bronze.
See Christopher Payne, Animals in Bronze, Antique Collectors' Club 1988, page 68, B1.