**A FINELY CARVED BISCUIT PORCELAIN FIGURAL SNUFF BOTTLE
Prospective purchasers are advised that several co… Read more
**A FINELY CARVED BISCUIT PORCELAIN FIGURAL SNUFF BOTTLE

ATTRIBUTED TO JINGDE ZHEN, 1790-1860

Details
**A FINELY CARVED BISCUIT PORCELAIN FIGURAL SNUFF BOTTLE
ATTRIBUTED TO JINGDE ZHEN, 1790-1860
Masterfully carved in the form of Dongfang Shuo, shown clutching two peaches in his hands as he rests his left foot on a clump of peaches of exaggerated size, with another large peach with leaves attached tied around his body and resting on his shoulder to form the mouth of the bottle, the fringe of hair around his bald pate hanging in long curls, his chubby face with a contented smile, the coral stopper carved as a leafy branch
2 15/16 in. (7.53 cm.) high
Provenance
Mrs. Elmer Claar
Parke Bernet, New York, 2 December 1969, lot 41
Florence Ueltzen
Lucille Parker
Frederik von Schleinitz
Edlred's, 28 May 1987, SB258
Peter Bozzo
Literature
JICSBS, September 1977, front cover
Moss, Graham, Tsang, The Art of the Chinese Snuff Bottle. The J & J Collection, Vol. I, no. 247
Exhibited
Christie's, New York, 1993
Empress Place Museum, Singapore, 1994
Museum für Kunsthandwerk, Frankfurt, 1996-1997
Percival David Foundation of Chinese Art, London, 1997
Naples Museum of Art, Florida, 2002
Portland Museum of Art, Oregon, 2002
National Museum of History, Taipei, 2002
International Asian Art Fair, Seventh Regiment Armory, New York, 2003
Poly Art Museum, Beijing, 2003
Special notice
Prospective purchasers are advised that several countries prohibit the importation of property containing materials from endangered species, including but not limited to coral, ivory and tortoiseshell. Accordingly, prospective purchasers should familiarize themselves with relevant customs regulations prior to bidding if they intend to import this lot into another country.

Lot Essay

Born in Shandong in 160 BC, Dongfang Shuo answered an Imperial proclamation in 138 BC requiring able men to come forward and enter government service. There are many famous tales about Shuo, one of the most famous concerning the time he stole and ate some magical peaches from the orchard of Xiwangmu, Queen Mother of the West. The peaches were said to ripen only once every 3,000 years, and anyone who ate of the fruit achieved immortality.
Here, Shuo is depicted as a stocky figure, with muscular forearms and confident smile, poised on a clump of enormous peaches. His hair is extremely well carved, with bold lines that add a strong textural counterpoint to the plain robes, which are convincingly rendered. In every sense this bottle is the work of a sculptor working confidently with his material.
This is one of the finest of a small and rare group of mid- to late-Qing porcelain bottles of this subject, some in biscuit, and some with additional enamels. A very similar bottle, also in biscuit porcelain and apparently by the same maker is in the Metropolitan Museum of Art, acquired in 1921. Another, with additional enamels, was in the Hunter Collection (Sotheby's, New York, 15 September 1998, lot 168), and is now in the Bloch Collection.

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