**A RARE AND UNUSUAL BLACK OVERLAY WHITE GLASS SNUFF BOTTLE
Prospective purchasers are advised that several co… Read more
**A RARE AND UNUSUAL BLACK OVERLAY WHITE GLASS SNUFF BOTTLE

1760-1840

Details
**A RARE AND UNUSUAL BLACK OVERLAY WHITE GLASS SNUFF BOTTLE
1760-1840
Of compressed spherical form with recessed, convex foot, carved through the single black overlay with a continuous design of nine rivets, five on one side and four on the other, the narrow sides carved with mask-and-ring handles, coral stopper with horn collar
2 3/8 in. (6.08 cm.) high
Provenance
Hugh M. Moss Ltd. (Hong Kong, 1978)
Literature
Moss, Graham, Tsang, The Art of the Chinese Snuff Bottle. The J & J Collection, Vol. II, no. 388
JICSBS, Spring 2000, p.13, fig. 25
Exhibited
Christie's, New York, 1993
Empress Place Museum, Singapore, 1994
Museum für Kunsthandwerk, Frankfurt, 1996-1997
Percival David Foundation of Chinese Art, London, 1997
Naples Museum of Art, Florida, 2002
Portland Museum of Art, Oregon, 2002
National Museum of History, Taipei, 2002
International Asian Art Fair, Seventh Regiment Armory, New York, 2003
Poly Art Museum, Beijing, 2003
Special notice
Prospective purchasers are advised that several countries prohibit the importation of property containing materials from endangered species, including but not limited to coral, ivory and tortoiseshell. Accordingly, prospective purchasers should familiarize themselves with relevant customs regulations prior to bidding if they intend to import this lot into another country.

Lot Essay

The nine rivets decorating this unusual bottle are of the type traditionally used in China to repair large ceramic vessels that were broken or cracked. The Chinese word for such rivets is liuding. One possible reading of this design of nine rivets (jiuding) is a wish for male progeny. Nine (jiu) is the ultimate male number in Chinese mythology and also shares the same pronunciation as the Chinese word for "eternity," while the definition of one character for ding is "male adult." It has also been suggested that the subject would have recalled for the cultivated literati the ceremonial nine tripods (jiuding) of King Yu (founder of China's first dynasty, the Xia, around 2200 BC), and would have implied a subtle protest against the "barbarian," non-Chinese Manchu rulers of the Qing dynasty, and a wish for the return to a "Golden Age" of honorable rule under the true Han Chinese.
A small group of these glass bottles is known, and was probably made for a short period of time during the mid-Qing period. A similar bottle from the collection of Bob Stevens was illustrated in Chinese Snuff Bottles and Dishes, no. 56, and sold at Sotheby's, Honolulu, 7 November 1981, lot 26. Another example was sold at Sotheby's, London, 24 April 1989, lot 23. The present bottle certainly ranks among the finest of the group. The starkness of the design is enhanced by the rarely used black overlay while the simplicity of the rivets contrasts nicely with the finely carved mask-and-ring handles.

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