A RUSSIAN ORMOLU-MOUNTED AMARANTH, ROSEWOOD, WALNUT AND MARQUETRY GAMES TABLE
AN MARQUETRY TABLE FROM THE BEDROOM OF THE EMPRESS MARIA FEODOROVNA AT THE ANICHKOV PALACE, ST. PETERSBURG PROPERTY OF A PRIVATE COLLECTOR
A RUSSIAN ORMOLU-MOUNTED AMARANTH, ROSEWOOD, WALNUT AND MARQUETRY GAMES TABLE

LATE 18TH CENTURY

Details
A RUSSIAN ORMOLU-MOUNTED AMARANTH, ROSEWOOD, WALNUT AND MARQUETRY GAMES TABLE
LATE 18TH CENTURY
The serpentine shaped hinged top with a central cartouche on a floral trellis-pattern inlay opening to a leather-lined playing surface with recesses for playing pieces linked to the floral-inlaid roundels at the corners by entrelac inlay, the entire top swiveling to reveal a recessed interior of half the table, on a floral frieze and similarly-inlaid cabriole legs, bearing a paper inventory label printed and inscribed in ink [transcribed] 'HIS OWN IMPERIAL HIGHNESS'S ANICHIKOV PALACE ...7-8 No. 26 TABLE ... No. ROOM OF HIS HIGHNESS ... year 1900', marked in red paint 'No. 26-9002' and marked in yellow chalk '54695-X' and '169', restorations to marquetry, the ends previously hinged to provide a gate leg
41½ in. (73 cm.) high, 34½ in. (87.5 cm.) wide, 17 in. (43 cm.) deep
Provenance
with Madame Anastasia Ivanovna Staroverova, St. Petersburg.
Acquired on 1 November 1899 for Empress Maria Feodorovna (1847-1928), consort of Alexander III, Anichkov Palace.
Transfered to the Committee for Realisation of Government Funds on 17 July 1928.
Sold by the Soviet Government in 1929-1932.
with French & Co, New York.
Private New York Collection.
Anonymous sale, Christie's New York, 21 May 1997, lot 593.
Sale room notice
Please note this table should be starred in the catalogue as it contains rosewood.

Lot Essay

The delicate tendril marquetry of this elegant games table relates to the work of St. Petersburg cabinet-makers of the 1770s such as Nikifor Vasilyev. A table with similar scrolling marquetry to the legs by Vasilyev is illustrated in U.V. Fomin, The Art of Marquetry in Eighteenth Century Russia, 1989, p. 74. The table's sophisticated inlay would have been particularly appreciated by the Russian Empress
Maria Feodorovna, who was an avid collector of fine and decorative arts. The present table was acquired by the Administration of Her Majesty's Own Anichkov Palace for Empress Maria Feodorovna on November 1st, 1899 from an antiques dealer Madame Anastasia Ivanovna
Staroverova, who lived and practiced her trade at 30 Porohovskoi Street in St. Petersburg. The purchase was recorded: "Bills paid in 1899, November 1st, to Mme. Staroverovaya 250 roubles." (RGEA, f. 474, op. 1, d. 165, l. 146, 147)

On February 5th 1900, Osip Pech, the Superintendent of Anichkov Palace Furnishings listed numerous pieces of furniture, carpets and other
decorative objects purchased for the Empress in 1899 for a total sum of 2,009 roubles and 83 kopeks. He included the present table in this inventory, where it is listed as: Games Table with marquetry,
antique, with bronze ornaments on the base of legs, 250 roubles, bought from Mme. Staroverova.
(RGEA, f. 474, op. 1, d. 175, l. 31)
The label on the table, written by Osip Pech, indicates that the table was placed in the bedroom of the Empress, assigning it a significant place in the hierarchy of palace furniture. As unfortunately documents relating to the inventories of the rooms of Anichkov Palace do not survive, it has not been possible to confirm its placement through documentary evidence.

From 1917 to 1928 the table stood in the exposition room of Anichkov Palace, which at this time had been renamed Museum of the City by the
Soviet Government. On July 17th, 1928 it was transfered to the
Committee for Realization of Government Funds as an object of museum
export and was described at this time as: 23 Games Table, with marquetry work of flowers to the corners, on slightly cabriole legs.
Size 72 x 83 x 83 cm. Inv. N. 1946
. (Archive GE, f. IV, op. 1, d.
263, l. 24-24 ob.). In the 1930s it was sold along with other important objects from Imperial collections in one of the series of sales held on behalf of the Soviet Government by Lepke in Berlin, where the present table was possibly acquired by French & Co.

ALEXANDER III AND MARIA FEODOROVNA
Alexander III (ruled 1866-1894) and his wife Maria Feodorovna (1847-1928) were passionate collectors of fine and decorative arts of
the 18th and 19th centuries. At Anichkov Palace they had created a
museum filling two halls with works of art and paintings. They also
selected important pieces from the Tavricheskyi Palace to decorate
Gatchina Palace that included works by David Roentgen. She also
acquired several examples of 18th century furniture from dealers
including furniture in the style of Jacob and by Riesener as well as
fine quality revival pieces by Henri Dasson. After the death of
Alexander III, Maria Feodorovna continued her collecting activity
making numerous purchases that included the present table.

ANICHKOV PALACE
Anichkov Palace was first built in Saint Petersburg in 1743-1751 to the plans of the Russian architect Mihael Zemtsov (1688-1743) but was
completed by the Italian Bartholomeo Francesco Rastrelli (1700-1771)
for Empress Elizabeth who then gave it as a gift to Count Aleksei
Rasumovsky (1709-1771). In 1776, on the instructions of Catherine the Great, the palace was passed on to her lover Prince Gregory
Potemkin-Tavricheskyi (1739-1791). In the 19th century the Anichkov Palace belonged to various members of the Imperial family housing every Russian Czar from Alexander I to Alexander III. The interiors of the palace underwent great structural alterations first executed by Luigi
Russka (1762-1822) around 1809. They were further refurbished in
1817-1818 by Carlo Rossi (1777-1849). The palace was finally given to Alexander III and Maria Feodorovna in 1866. The couple used the architect Ippolit Monigetti (1819-1878) to redecorate the interiors.
The Anichkov Palace became Maria Feodorovna's favorite residence where she spent most of her time and was occupied by her until 1917 when the Revolutionary government confiscated all Imperial properties. In the 1920s it became part of the National property and was converted to a museum with an exhibition of historical rooms from the Palace.

More from Important European Furniture, Works of Art, Ceramics, Tapestries and Carpets

View All
View All