A FLEMISH HISTORICAL TAPESTRY
THE PROPERTY OF MRS. BARBARA PIASECKA JOHNSON (LOTS 115-116)
A FLEMISH HISTORICAL TAPESTRY

BRUSSELS, LATE 16TH EARLY 17TH CENTURY

细节
A FLEMISH HISTORICAL TAPESTRY
BRUSSELS, LATE 16TH EARLY 17TH CENTURY
Woven in silks and wools, depicting The Triumph of Pompeius from The Story of Pompeius, with a procession of horses and elephants flanked by soldiers holding fasciae and banners, the back with a chariot of a seated king above another and flanked by spectators, the background with a fortified city and its gates, within a wide border with named allegorical figures within foliate and fruiting strap-work, the top with tablet inscribed 'REGALI EXCIPITUR POMPA POMPEIVS HIARBAM CONSTRICTV ROMA MVLTO ELEPHATE FERENS', with blue outer guard border with weaver's monogram and Brussels town mark, probably reduced in width
11 ft. 4 in. (345 cm.) high, 14 ft. 11 in (455 cm.) wide

拍品专文

This tapestry forms part of a rare series depicting The Story of Pompeius. The scene appears to depict the General Pompeius Magnus (d. 48 BC) in a triumphal procession entering Rome after the defeat of Gneaus Domitius Ahenobarbus and the Numidian King Hiarbas in Africa in 81 BC. On Pompeius' return to Rome he demanded to have a triumph in Rome. Consul Sulla, who had bestowed him the title Magnus after the successful wars in Africa at first refused, but had to give in as Pompeius was not disbanding his legions. History actually recounts that Sulla, to cut Pompeius down to size, arranged his own triumph first, then that of Pontifex Maximus Metallus Pius, and third in short succession that of Pompeius. Pompeius wanted to enter on a chariot drawn by an elephant, but it did not fit through the gates, so the triumph had to be quickly replanned to the amusement of the Romans. In the end Pompeius was Roman consul three times and was last defeated by Caesar and killed in 48 BC in Egypt.

A tapestry from apparently the same series but with differing borders and depicting Pompeius with two kneeling men before him is recorded as having been bought by French & Co from V. Astor. Another example of this series by Jakob Geubels and also depicting the two men kneeling before Pompeius was recorded in the Bavarian State Collections (H. Göbel, Tapestries of the Lowlands, New York, 1924, fig. 278).