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PHOTOGRAPHS BY JOHN DEAKIN -- THE PROPERTY OF GEORGINA BARKER 'His portraits to me are the best since Nadar and Julia Margaret Cameron.' -- Francis Bacon1 This and the following five lots bear testament to the brilliance of one of the greatest portrait photographers of all time. His name could well have been forgotten, for the seeming indifference that he showed to his extraordinary achievements in this medium meant that virtually no negatives survived. The few scattered prints that today illustrate his career are for the most part unique relics -- as evidenced in the poignant inscription on the reverse of his portrait of Elizabeth Smart opposite -- and often bear the scars of having been treated wth casual disregard. Fortunately one or two friends, and particularly the perceptive photo editor and historian Bruce Bernard, managed to preserve enough material to reconstruct his story and assure his lasting reputation. Bernard had the opportunity in 1985 to present an exhibition at the Victoria & Albert Museum devoted to his 'dear, witty and wayward friend'. 'I hope,' he wrote in the catalogue introduction, 'that this small cache of treasure salvaged from the wreck gives an idea of what he could do...I regard his talent as one of the most impressive of the century....'2 In 1996 there followed a more extensive exhibition and book, respectively curated and written by Robin Muir whose research shed light on Deakin's work for Vogue, his reportage projects and further facets of his work as portraitist to a certain bohemian milieu of the 1950s. Muir presented unseen or forgotten prints, including a number that had been preserved by Deakin's friends, Elizabeth Smart and her husband George Barker, and that are offered here for sale for the first time.

JOHN DEAKIN (1912-1972)

Elizabeth Smart, Writer, c.1952

Details

JOHN DEAKIN (1912-1972)
Elizabeth Smart, Writer, c.1952
gelatin silver print
signed, captioned twice by photographer and printer's notations in pencil, annotated 'Unique Print, No Neg Exists! Please handle with care, Property: Georgina Barker' by Georgina Barker in ink on label on verso
14¾ x 11¾in. (37.5 x 29.9cm.)

Provenance

From the artist to Elizabeth Smart;
by descent to her daughter Georgina Barker.

Literature

This print is reproduced in Muir, John Deakin Photographs, Schirmer/Mosel, 1996, p.80.

Special notice

No VAT will be charged on the hammer price, but VAT at 15% will be added to the buyer's premium which is invoiced on a VAT inclusive basis.

Lot Essay

Elizabeth Smart was a poet who extended her friendship and hospitality to Deakin and his friends, sometimes, it would seem, against the odds. Daniel Farson recalls that 'Elizabeth Smart had a cottage [in Suffolk] where Deakin, Colquhoun and MacBryde were such unruly guests that she found it easier to sell up and leave....'3 She married George Barker and it is thanks to their daughter Georgina, also a frequent model for Deakin, that this small group of prints has been preserved.

1 Bruce Bernard, John Deakin: The Salvage of a Photographer, Victoria & Albert Museum, 1985, p.8.

2 John Deakin, p.7.

3 Farson, The Gilded Gutter Life of Francis Bacon, Century, 1993, p.20.

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