Lot Essay
The structural, almost architectonic, compositions of Francis Newton Souza's earlier landscape paintings began to dissolve soon after the Sino-Indian war in 1961. In this work from 1962, the tumultuous and violent application of colour seems to threaten the black outline which Souza uses to provide the etchings of a townscape. It seems as if the power of these brushstrokes will at any moment cause the collapse of representation in the work, instilling the painting with a dynamism and energy that is quite striking. His representations of foliage, cityscapes and skies seem to invoke the style of Claude Monet's late impressionist paintings as well as legendary composition and style of Vincent Van Gogh.