拍品专文
With a size of 62 x 75 mm., this enamel by Charles Boit is a smaller but signed version of his masterwork presented to the Académie Royale, Paris, on his admission on 30 April 1717. Both versions are inspired by Carlo Cignani's (1628-1719) large scale oil on canvas 'Charity', now in the Fine Arts Museums of San Francisco, inv. no. 1942.31. Boit's reception piece, measuring 115 x 150 mm., now in the Louvre (inv. no. 35583), is illustrated in G. W. Lundberg, Charles Boit 1662-1727 émailleur-miniaturiste suédois, Paris, 1987, colour pl. I.
The enamel by Petitot is reminiscent of the large scale oil on canvas portrait of Anne-Geneviève of Bourbon-Condé, Duchess of Longueville (1619-1679) in the Museum of Versailles Castle, inv. no. 9828, illustrated in C. Constans, Musée national du Château de Versailles. Les peintures, Paris, 1995, II, p. 1007, no. 5636. Another similar painting, depicting Charlotte-Isabelle-Elisabeth-Angélique de Montmorency-Boutteville, Duchess of Châtillon, later Duchess of Mecklenburg-Schwerin, is illustrated in C. Constans, op. cit., II, p. 1028, no. 5761.
The enamel by Petitot is reminiscent of the large scale oil on canvas portrait of Anne-Geneviève of Bourbon-Condé, Duchess of Longueville (1619-1679) in the Museum of Versailles Castle, inv. no. 9828, illustrated in C. Constans, Musée national du Château de Versailles. Les peintures, Paris, 1995, II, p. 1007, no. 5636. Another similar painting, depicting Charlotte-Isabelle-Elisabeth-Angélique de Montmorency-Boutteville, Duchess of Châtillon, later Duchess of Mecklenburg-Schwerin, is illustrated in C. Constans, op. cit., II, p. 1028, no. 5761.