Details
[FOLENGO, Teofilo (1491-1544)] 'Merlin COCCAIO'. Macaronicorum Poemata. Nunc recens accurate recognita cum figuris locis suis appositis. Venice: the heirs of Pietro Ravani and associates, 1554.
12° (134 x 73mm). Woodcut printer's device on title. 26 full-page woodcut illustrations. Woodcut initials. (Occasional light spotting and marking, very light dampstaining on some quires, a few leaves trimmed touching headline, small marginal tears on L1-6 caused by sewing, old marginal repair on R7.) 17th-century vellum over pasteboard, blind-ruled borders, yapp fore-edges, gilt morocco lettering-piece, red edges (minor worming on spine).
AN UNCOMMON ILLUSTRATED EDITION of Folengo's macaronic poetry. Girolamo Folengo, the most famous of macaronic poets, was born in Mantua and became a Benedictine monk, taking the name Teofilo. His long burlesque-heroic poem Opus macaronicum is written in macaronic (which uses Latinised vernacular words in a Latin text), under the pseudonym Coccaio and has as its hero Baldus, whose followers are the giant Fracassus and the wily Cingar; the work swiftly became popular and Folengo's contemporary Rabelais modelled Panurge in part on Cingar. Adams F-694 (one copy, defective); Brunet II, 1318.
12° (134 x 73mm). Woodcut printer's device on title. 26 full-page woodcut illustrations. Woodcut initials. (Occasional light spotting and marking, very light dampstaining on some quires, a few leaves trimmed touching headline, small marginal tears on L1-6 caused by sewing, old marginal repair on R7.) 17th-century vellum over pasteboard, blind-ruled borders, yapp fore-edges, gilt morocco lettering-piece, red edges (minor worming on spine).
AN UNCOMMON ILLUSTRATED EDITION of Folengo's macaronic poetry. Girolamo Folengo, the most famous of macaronic poets, was born in Mantua and became a Benedictine monk, taking the name Teofilo. His long burlesque-heroic poem Opus macaronicum is written in macaronic (which uses Latinised vernacular words in a Latin text), under the pseudonym Coccaio and has as its hero Baldus, whose followers are the giant Fracassus and the wily Cingar; the work swiftly became popular and Folengo's contemporary Rabelais modelled Panurge in part on Cingar. Adams F-694 (one copy, defective); Brunet II, 1318.
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