A ROYAL PIEDMONTESE IVORY-INLAID KINGWOOD, BURR-WALNUT, BURR-ELM AND FRUITWOOD MARQUETRY PRIE DIEU
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A ROYAL PIEDMONTESE IVORY-INLAID KINGWOOD, BURR-WALNUT, BURR-ELM AND FRUITWOOD MARQUETRY PRIE DIEU

ATTRIBUTED TO PIETRO PIFFETTI, TURIN, CIRCA 1730

Details
A ROYAL PIEDMONTESE IVORY-INLAID KINGWOOD, BURR-WALNUT, BURR-ELM AND FRUITWOOD MARQUETRY PRIE DIEU
Attributed to Pietro Piffetti, Turin, circa 1730
The rectangular canted and concave-fronted top inlaid with a central cartouche depicting Christ with a winged angel holding aloft a chalice, above a similarly shaped frieze drawer and a cupboard door decorated with a scroll-bordered cartouche enclosing a shelf, above a protruding plinth with a hinged flap, on block feet, with a green painted inventory mark to the back inscribed 'P.P.R' and indistinctly numbered '6721'
34¼ in. (87cm.) high; 25 in. (64cm.) wide; 26 in. (66 cm.) deep
Provenance
Castello Reale di Racconigi, Turin.
Special notice
VAT rate of 5% is payable on hammer price and at 15% on the buyer's premium

Lot Essay

Pietro Piffetti,(1700-1777) was perhaps the greatest Italian cabinet-maker of the 18th century and certainly one of the most extraordinary virtuosi of the rococo period. His work is characterized by an exhilarating fluidity of line, in combination with an unparalleled technical brilliance and lavish use of exotic materials such as mother-of-pearl, tortoiseshell and ivory. No other cabinet-maker of the period combines these lustrous materials with the confidence and sheer bravado of Piffetti, incorporated within rococo forms.

Much of his work was executed for the royal court of Turin, where he worked as ebanista reale from 1731 until the end of his life, often in collaboration with Royal architects Filippo Juvarra (1678-1736) and Benedetto Alfieri (1699-1767).

This prie dieu is closely related to an example by Piffetti in ed. Baccheschi, Milan, 1963 as well as in E. Quaglino, Il Piemonte, Mobill e ambienti dal XV all'inizio del XIX secolo, Milan, 1966, p.124.

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