A PAIR OF FRENCH ORMOLU, PATINATED BRONZE AND WHITE MARBLE SEVEN-LIGHT CANDELABRA
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A PAIR OF FRENCH ORMOLU, PATINATED BRONZE AND WHITE MARBLE SEVEN-LIGHT CANDELABRA

SECOND HALF 19TH CENTURY

Details
A PAIR OF FRENCH ORMOLU, PATINATED BRONZE AND WHITE MARBLE SEVEN-LIGHT CANDELABRA
SECOND HALF 19TH CENTURY
Each with semi-clad maidens holding aloft a foliate-wrapped vase issuing realistically cast lily branches with nozzles and drip-pans cast as flower heads, above oval fluted bases mounted with floral trails and a fruited oak leaf wreath, the rectangular inverted breakfront plinth set with relief-cast panels depicting putti and with foliate rosettes to the angles, on turned feet
34¼ in. (87 cm.) high (2)
Special notice
No VAT will be charged on the hammer price, but VAT at 15% will be added to the buyer's premium which is invoiced on a VAT inclusive basis.

Lot Essay

Etienne-Maurice Falconet (1716-1791), Director of the Sculpture studio at Sevres, exhibited two pairs of plaster models of nymphs supporting candelabra at the Salon du Louvre in 1761 and they were illustrated by Gabriel de Saint-Aubin in his copy of the exhibition catalogue (see H.Ottomeyer, P.Pröschel et al., Vergoldete Bronzen, Munich, 1986, vol. I, p. 254, fig. 4.7.1).
The model remained fashionable even throughout the 19th century and both 18th and 19th century versions of these nymph-supported lilly-candelabra can be found in great collections across the world, including the Royal Castle in Warsaw (ibid. p. 254, fig. 4.7.3).

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