A BRONZE MODEL OF THE CESARINI VENUS
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A BRONZE MODEL OF THE CESARINI VENUS

AFTER GIAMBOLOGNA, PROBABLY GERMAN, 17TH CENTURY

Details
A BRONZE MODEL OF THE CESARINI VENUS
AFTER GIAMBOLOGNA, PROBABLY GERMAN, 17TH CENTURY
Depicted standing with her left foot on a pedestal and her left hand at her breast; on an integrally cast rectangular bronze plinth and on an associated green marble and gilt-bronze base; the gilt-bronze sleeve decorated with tritons and inscribed to the reverse 'No 8'; blackish brown patina and lighter high points
12 3/8 in. (31.5 cm.) high; 17¼ in. (44 cm.) high, overall
Literature
COMPARATIVE LITERATURE:
Edinburgh, London and Vienna, Royal Scottish Museum, Victoria and Albert Museum and Kunsthistorisches Museum, Giambologna 1529-1698 Sculptor to the Medici, 19 Aug. - 10 Sep. 1978, 5 Oct. - 16 Nov. 1978 and 2 Dec. 1978 - 28 Jan. 1979, C. Avery and A. Radcliffe eds., nos. 1-5.
C. Avery, Giambologna - The Complete Sculpture, London, 1987, p. 107, pl. 101.
Special notice
No VAT will be charged on the hammer price, but VAT at 15% will be added to the buyer's premium which is invoiced on a VAT inclusive basis.

Lot Essay

The original model upon which the present lot is based is Giambologna's so-called Cesarini Venus. In an unconventional development of a model, Giambologna first developed the bronze, which is dated to circa 1565, and afterwards carved the life-size marble version for Giovanni Giorgio Cesarini in circa 1583, now in the American Embassy, Rome. Only very minor details in the drapery changed in the transferral of the model into a monumental piece and, regardless of the scale of the model, it was as revered in small as it was in large scale.

The bronze on offer here is one of a number of casts made in the 17th century by artists who took inspiration from Giambologna's masterful rendition of the female form and subtle eroticism. The slightly varying pose, the dark black patination and almond shaped eyes point to a non-Italian production, and it is likely that this bronze was made in Germany or the Netherlands where Giambologna's works were very well known through the wide distribution of prints and casts of the original compositions.

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