Kinemacolor camera no. 979
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Kinemacolor camera no. 979

细节
Kinemacolor camera no. 979
Pathé Frères, Paris; 35mm., black-leather covered wood body, two film magazines, side-mounted viewfinder, the front panel with coupled rotating red/green filter holder, the back with metal plate 4. AMERICAN M.P.M. WORKS. L.I. CITY, with hand-crank and a Carl Zeiss, Jena Tessar f/2.7 5cm. lens no. 981035
出版
Ariel (1989), Ariel Cinematographica Register, no. 1026.
Eileen Bowser (1994), The Transformation of Cinema, p. 230
Barry Salt (1992), Film Style & Technology, History & Analysis, p. 79-80
注意事项
No VAT will be charged on the hammer price, but VAT at 15% will be added to the buyer's premium which is invoiced on a VAT inclusive basis.

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拍品专文

This Pathé Professional model dates from 1908 and has been adapted for taking Kinemacolor film. Kinemacolor was, according to Barry Salt, 'the only genuine colour process to become a commercial reality before Technicolor'. It was exhibited successfully between 1908 and 1915 although its high point came in 1911 when it was used to present the colourful spectacle of King George V's Delhi Durbar.

The American division of the Kinemacolor company set up its first studio at Whitestone, Long Island in 1912 but soon decided to move to California in search of the abundant natural light necessary to illuminate the 32fps system. This camera, bearing the Long Island City plate, would appear to date from Kinemacolor's brief sojourn on the East coast.