拍品專文
Large globular bottle vases decorated with fruiting branches of peaches were produced during the Yongzheng and Qianlong periods. Those in the Yongzheng period depicted eight peaches, while those of Qianlong date depicted nine. This Daoguang vase follows in the Qianlong tradition. According to Terese Tse Bartholomew, Hidden Meanings in Chinese Art, The Asian Art Museum of San Francisco, 2006, nine is the highest yang (male principle) number and stands for eternity (jiu), and the depiction of nine peaches (jiutao) infers a wish for longevity.