Lot Essay
As pointed out by Peter Sutton, Masters of 17th Century Dutch Landscape Painting, 1987/88, p. 392, the artist's winter landscapes include both larger canvases in the tonal manner inspired by Jan van Goyen and scenes of smaller format on panel which are characterised by a lighter overall tonality, a more delicate touch and stronger local colour. The present lot belongs to this last group which dates from 1645 onwards. It is to be compared with the picture in the Gemäldegalerie Dresden (see Katalog der ausgestellten Werke, 1992, p. 288, no. 1491, with ill.).
The motif of the horse drawing the sledge up a ramp was a favourite one of Isaac and also occurs in his winter landscape in the Louvre (P. Sutton, op.cit., p. 391, no. 63, with ill.)
See colour illustration
The motif of the horse drawing the sledge up a ramp was a favourite one of Isaac and also occurs in his winter landscape in the Louvre (P. Sutton, op.cit., p. 391, no. 63, with ill.)
See colour illustration