A ROMAN MICROMOSAIC AND WALNUT GAMES-TABLE
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A ROMAN MICROMOSAIC AND WALNUT GAMES-TABLE

THE MOSAIC MID-19TH CENTURY, THE TABLE FRAME ENGLISH, SECOND HALF 19TH CENTURY

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A ROMAN MICROMOSAIC AND WALNUT GAMES-TABLE
THE MOSAIC MID-19TH CENTURY, THE TABLE FRAME ENGLISH, SECOND HALF 19TH CENTURY
Emblematic of the Seasons, the shaped square moulded black marble top inlaid with a central chequered board of red and yellow marble, framed by a band of blue mosaic and bordered by a ribbon-tied garland, each of its sides composed of different seasonal flowers, foliage, fruit and root vegetables and centred by a putto with corresponding attributes sat within a scallop shell, the rounded corners inlaid with Horae, supported by a similarly moulded frame and frieze atop a fluted baluster shaft, on foliate-carved cabriole legs and scrolled acanthus-wrapped feet with brass casters
29 in. (73.5 cm.) high; The top 25¼ in. (64 cm.) square
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No VAT will be charged on the hammer price, but VAT at 15% will be added to the buyer's premium which is invoiced on a VAT inclusive basis.

Lot Essay

Depicting flowers, fruit and vegetables emblematic of the Seasons, the finely-inlaid beribboned garland on the present micromosaic games top may be compared to wreaths of similar design found on three tables in the Gilbert Collection, London. The first, by the celebrated mosaicist, Michelangelo Barberi (d. 1867), features a wreath encircling night and day views of the Colosseum and St Peter's Square (see J. Hanisee Gabriel, The Gilbert Collection - Micromosaics, London, 2000, cat. 33, pp. 88-9); the second, attributed to Barberi, features an elaborate garland against a plain black marble ground (see Hanisee Gabriel, op. cit., cat. 73, p. 135); meanwhile the third, which is perhaps the most similar to the present example, if not in terms of overall composition then in style, is signed by the mosaicist Camillo Poggioli and dated 1839, and features a garland with four conjoined sections each depicting, as here, different seasonal flowers, fruit and vegetables (see Hanisee Gabriel, op. cit., cat. 51, pp. 107-8).

The four Horae to the corners, spirits or deities personifying the Seasons in Greek and Roman mythology, relate to those inlaid on an unattributed black marble vase, also in the Gilbert Collection (see Hanisee Gabriel, op. cit., cat. 194, pp. 258-9).

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