A LOUIS XVI ORMOLU-MOUNTED BLUE AND WHITE JASPERWARE VASE
A LOUIS XVI ORMOLU-MOUNTED BLUE AND WHITE JASPERWARE VASE

CIRCA 1785

细节
A LOUIS XVI ORMOLU-MOUNTED BLUE AND WHITE JASPERWARE VASE
CIRCA 1785
With an acanthus leaf-molded top above a central mythological scene of a younger woman being comforted by an older woman holding the hand of a child and with Cupid nearby, with Egyptian mask and floral garland cast handles and on a plinth base of interlocking circles, with an indistinct inscription to underside of vase
9¾ in. (25 cm.) high, 6¼ in. (16 cm.) wide, 4¾ in. (12 cm.) deep
来源
Mrs. Charles Wrightsman, New York.

拍品专文

This charming vase reflects the taste for fashionable new combinations of materials promoted by Parisian marchands merciers such as Dominique Daguerre. Daguerre had inherited the business of Simon-Philippe Poirier, and, like his predecessor, had a virtual monopoly on access to the products of the Sèvres porcelain factory, which produced many wares such as vases and plaques specifically for being mounted with ormolu or for use with furniture.

The jasperware vase imitates the famous à l'antique wares created by the entrepreneurial Englishman Josiah Wedgwood.

The distinctive female Egyptian masks to the sides recur frequently in the oeuvre of the bronzier François Rémond, (who worked extensively for Daguerre), for instance on the celebrated candelabra supplied by Rémond to Princesse Kinsky (discussed in C. Baulez, 'Le Luminaire de la Princesse Kinsky', Estampille L'Objet d'Art, May 1991, pp. 84-99), and on a set of four candelabra sold from the Champalimaud Collection, Christie's, London, 7 July 2005, lot 160.