A parcel-gilt and enamel rectangular bookcover
On occasion, Christie's has a direct financial int… Read more
A parcel-gilt and enamel rectangular bookcover

LIMOGES, CIRCA 1200

Details
A parcel-gilt and enamel rectangular bookcover
LIMOGES, CIRCA 1200
The figure of Christ applied to the panel, depicted with Saint Mary and Saint John flanking the crucifix and angels above, the panel drilled with six holes to the edges and mounted in a modern velvet covered frame
20.8 x 11.9 cm.
Special notice
On occasion, Christie's has a direct financial interest in lots consigned for sale which may include guaranteeing a minimum price or making an advance to the consignor that is secured solely by consigned property. This is such a lot. This indicates both in cases where Christie's holds the financial interest on its own, and in cases where Christie's has financed all or a part of such interest through a third party. Such third parties generally benefit financially if a guaranteed lot is sold successfully and may incur a loss if the sale is not successful. Christie’s charges a premium to the buyer on the Hammer Price of each lot sold at the following rates: 29.75% of the Hammer Price of each lot up to and including €5,000, plus 23.8% of the Hammer Price between €5,001 and €400,000, plus 14.28% of any amount in excess of €400,001. Buyer’s premium is calculated on the basis of each lot individually.

Lot Essay

Comparative literature:
E. Rupin, L'Oeuvre de Limoges, Paris, 1890, pp. 313-321.
M.M. Gauthier, Emaux du moyen age occidental, Fribourg, 1972, pp. 112-114, 337-338, no. 64, illustrated.

This rectangular enamel plaque was intended to function as an elaborately decorated bookcover, of which approximately 200 examples of varying subject and quality are known. One of the most popular subjects for the front was the Crucifixion, as seen here, and it was often paired with another plaque of Christ in Majesty surrounded by the symbols of the Four Evangelists adorning the reverse. Among the known examples of the Crucifixion, the vast majority of them do not portray the body of Christ in applied relief but rather engraved into the main rectangular plaque. Exceptions to this include a rubbed example sold from the Flannery Collection (Sotheby's, London, 1 December 1983, lot 36) and a very complete example sold from the Feltrinelli Foundation which was attributed to the Master G. Alpais (Christie's, London, 1 July 1997, lot 104).

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