Lot Essay
The statuary marble chimneypiece, richly sculpted in bas-relief and embellished with golden Siena tablets, is designed in the George III Roman fashion adopted around 1780 by architects such as Thomas Leverton. The central tablet celebrates Summer, with the reclining figure of the harvest-deity Ceres attended by youths gathering corn, while the medallions above the pilasters depict another youth with corn and a companion bearing a thyrus and tazza emblematic of the wine and harvest deity Bacchus. The triumph of Apollo and lyric poetry is evoked by the laurel and palm-flowered Grecian Ionic pilasters, which are sculpted with poetic trophies, uniting Cupid's dart with lyre and horns, and suspended by laurel-garlands beneath arabesque palm-bearing victory herms.