拍品專文
In the introduction to the exhibition Chinese Jades from the Mu-Fei Collection, Bluett & Sons, London, 1990, Catalogue, Wu Hung speculates that the protrusion emerging at the base of similar figures of this period may indicate that they would originally have been erected on wooden stands as icons for religious usage. This idea is re-enforced by the absence of apertures to form a pendant on this figure.