After Sir Anthony van Dyck
Christie’s charges a premium to the buyer on the H… 顯示更多
After Sir Anthony van Dyck

Portrait of a gentleman, three-quarter length, in a black costume with a white collar, leaning on a chair before a red curtain

細節
After Sir Anthony van Dyck
Portrait of a gentleman, three-quarter length, in a black costume with a white collar, leaning on a chair before a red curtain
oil on canvas
123.5 x 99.5 cm.
來源
Lord Stanley.
Faust Michaelis Collection, Dresden.
Julius Böhler, Munich, 1926.
Professor Paoli, Rome.
with Jacques Goudstikker, Amsterdam, 1928.
Looted by the Nazi authorities, July 1940.
Recovered by the Allies, 1945.
in the custody of the Dutch Government.
Restituted in February 2006 to the heir of Jacques Goudstikker.
出版
G. Glück, 'Van Dyck, das Meisters Gemälde', in Klassiker der Kunst, 13, Stuttgart, New York, London, 1931, p. 117, as Anthony van Dyck.
Catalogus van Schilderijen en Beeldhouwwerken, Maastricht, Limburgs Museum voor Kunst en Oudheden, Bisschoppelijk Museum Bisdom Roermond, 1958, p. 24, as School of Anthony van Dyck.
C. Wright, Paintings in Dutch Museums. An Index of Oil Paintings in Public Collections in The Netherlands by Artists born before 1870, London, 1980, p. 108, as school of Anthony van Dyck.
E. Larsen, L'Opera completa di Van Dyck 1613-1626, Milan, 1980, p. 105, under no. 277, as a copy.
E. Larsen, The Paintings of Anthony van Dyck, Freren, 1988, II, pp. 16-7, under no. 20, as a copy.
Old Master Paintings: An illustrated summary catalogue, Rijksdienst Beeldende Kunst (The Netherlandish Office for the Fine Arts), The Hague, 1992, p. 92, no. 671, illustrated, as Anthony van Dyck.
S.J. Barnes, N. de Poorter, O. Millar and H. Vey, Van Dyck: A Complete Catalogue of the Paintings, New Haven/London, 2004, p. 127, under no. I. 143, as a copy.
展覽
Amsterdam, Jacques Goudstikker Gallery, Catalogue des Nouvelles Acquisitions de la Collection Goudstikker, May-July 1928, no. 12, illustrated, as Sir Anthony van Dyck.
Vienna, Wiener Secession, Drei Jahrhunderte flämische Kunst, 11 January-2 March 1930, no. 2, illustrated no. 38.
Utrecht, Kunsthistorisch Instituut der Rijksuniversiteit Utrecht, on loan.
Maastricht, Bonnefantenmuseum, on loan since 1992.

注意事項
Christie’s charges a premium to the buyer on the Hammer Price of each lot sold at the following rates: 29.75% of the Hammer Price of each lot up to and including €5,000, plus 23.8% of the Hammer Price between €5,001 and €400,000, plus 14.28% of any amount in excess of €400,001. Buyer’s premium is calculated on the basis of each lot individually.

拍品專文

The present composition is after the original of circa 1620-1 in the Nelson-Atkins Museum of Art, Kansas City, which was formerly in the collection of the earls of Jersey, Osterley Park.