拍品專文
These richly sculpted chairs, in the 17th century 'Williamite', 'Marot' or 'Anglo-Dutch' fashion, were highly prized by early 19th century antiquarians for their association with the banqueting seats of the 'Elizabethan' period. Their design is traditionally associated with the French artist architect Daniel Marot, who had worked for William, Prince of Orange at his court in Holland and later at Hampton Court when King of England. A related pattern featured in J. C. Loudon's, Encyclopaedia of Cottage, Farm and Villa Architecture and Furniture, 1833. Another 19th century chair with elaborately carved arched back and arched stretcher is illustrated in A. Bowett, English Furniture 1660-1714, Woodbridge, 2002, p. 273, plate 8:84.