Lot Essay
This intriguing bottle uses the colored inclusions of the stone in a manner reminiscent of those produced by the Zhiting school at Suzhou. The handling of the striped, beautifully textured material and different tones of color on varying planes and the sculptural quality of the carving are traditionally associated with the Suzhou school. However, the flattened form and degree of hollowing here are a departure from Suzhou bottles, which tend to have more rounded bodies, and while the complex carving and extensive use of the natural colors in the stone resemble the Zhiting School, the style is not typical suggesting, perhaps, another Suzhou school. This flattened form appears in snuff bottles in a wide variety of materials during the mid-Qing period, both imperial and otherwise and was one of a number of popular standards.