A DINGYAO CARVED BOWL
PROPERTY FROM A NEW YORK COLLECTION 
A DINGYAO CARVED BOWL

NORTHERN SONG DYNASTY, 11TH-12TH CENTURY

Details
A DINGYAO CARVED BOWL
NORTHERN SONG DYNASTY, 11TH-12TH CENTURY
The deep, well-potted sides flaring towards the unglazed rim and fluidly carved on the exterior with two graceful lotus sprays, covered inside and out with a glaze of ivory tone gathering in pale olive-toned tears on the exterior, the inside of the foot and base also glazed
6 1/8 in. (15.5 cm.) diam., box
Provenance
Mount Trust Collection.
Ralph M. Chait Gallery, New York.
Exhibited
London, Victoria & Albert Museum, Arts of the Sung, O.C.S., January - March 1970, no. 56.

Lot Essay

It was a common practice of the potters at the Ding kilns in Hebei province to fire their bowls and dishes upside down in order to prevent warping of the thin walls. This method necessitated that the rims be wiped clean of glaze to avoid adhesion to the kiln structure. After firing, the unglazed rims were then banded with gold, silver or copper. Not only did these bands conceal the unglazed rims, they also aided in the prevention of chipping of these expensive and luxurious wares.

A Dingyao bowl of slightly different form, but similarly carved with lotus sprays on the exterior, is illustrated by M. Tregear, Song Ceramics, New York, 1982, p. 57, no. 35. Compare, also, the similar bowl illustrated in Zhongguo taoci daxi, Song Yuan taoci daquan, Taipei, 1988, p. 145, and another comparable example from the Falk Collection, sold in these rooms, 20 September 2001, lot 54.

More from Fine Chinese Ceramics And Works Of Art

View All
View All