Lot Essay
The maker's mark on this piece, a cup, was previously ascribed to Tjeerd van der Lely although this attribution was questioned by a number of 19th and early 20th century silverhistorians. The mark was apparently unrecorded in the wood books in which Leeuwarden maker's marks were inscribed. However in 1947 a study of the painted guild boards revealed the over-painted name of Rintie Jans alongside the cup mark thus making a correct attribution possible. See exhibition catalogue, Lelie in zilver, Van der Lely, meesterzilversmeden te Leeuwarden 1574-1788, Fries Museum Leeuwarden, 16 March - 28 May 1989, p. 16.
Rintie Jans was already a recorded silversmith however given a wrong maker's mark (P.I)
As Frederiks, op. cit, pointed out the scenes on this dish are based on engravings by Johannes Sadeler I (1550-circa 1600) after works by Dirck Barentsz the Elder (1534-1592). The print source of Asia by Sadeler is dated 1581. The print sources are illustrated and discussed in F.W.H. Hollstein, Dutch and Flemish Etchings, Engravings and Woodcuts, c 1450-1700, Amsterdam, 1949- (in progress), I, 16, nos. 40-43 (after Barendsz.) and XXI, nos 493-496 (Sadeler). The Barendsz prints are again illustrated in J.R. Judson, Dirck Barendsz, 1534-1592, Amsterdam, 1970, illus. 43-6
This dish is related to the dish by Rintie Jans (maker's mark only) also chased with the four Continents, and now preserved in the collection of the Popta Schat which is on loan in the Fries Museum. See catalogue Fries Museum, Fries zilver, Arnhem, 1985, no. 74.
The famous ewer and basin by the same maker, later applied with the Popta arms are also preserved in the Fries Museum in Leeuwarden.
See catalogue Fries Zilver, Fries Museum Leeuwarden, 1985, p. 52 no. 62 illustrated, for a magnificent ewer and basin by Pyter Faber, Leeuwarden, 1659, also engraved with the coat-of-arms of Hobbe Baerdt van Sminia and Tethje van Gerroltsma (these coat-of-arms seem to be contemporary)
See illustration
Rintie Jans was already a recorded silversmith however given a wrong maker's mark (P.I)
As Frederiks, op. cit, pointed out the scenes on this dish are based on engravings by Johannes Sadeler I (1550-circa 1600) after works by Dirck Barentsz the Elder (1534-1592). The print source of Asia by Sadeler is dated 1581. The print sources are illustrated and discussed in F.W.H. Hollstein, Dutch and Flemish Etchings, Engravings and Woodcuts, c 1450-1700, Amsterdam, 1949- (in progress), I, 16, nos. 40-43 (after Barendsz.) and XXI, nos 493-496 (Sadeler). The Barendsz prints are again illustrated in J.R. Judson, Dirck Barendsz, 1534-1592, Amsterdam, 1970, illus. 43-6
This dish is related to the dish by Rintie Jans (maker's mark only) also chased with the four Continents, and now preserved in the collection of the Popta Schat which is on loan in the Fries Museum. See catalogue Fries Museum, Fries zilver, Arnhem, 1985, no. 74.
The famous ewer and basin by the same maker, later applied with the Popta arms are also preserved in the Fries Museum in Leeuwarden.
See catalogue Fries Zilver, Fries Museum Leeuwarden, 1985, p. 52 no. 62 illustrated, for a magnificent ewer and basin by Pyter Faber, Leeuwarden, 1659, also engraved with the coat-of-arms of Hobbe Baerdt van Sminia and Tethje van Gerroltsma (these coat-of-arms seem to be contemporary)
See illustration