拍品专文
This amorous scene is taken from the second book of Metamorphoses, in which Ovid recounts the tale of one of Jupiter's most celebrated and daring seductions. Callisto was the favourite nymph of the goddess Diana. Such was her beauty that when she was discovered in Arcadia by the god Jupiter, he was overcome with desire for her. Disguising himself as Diana in order to deceive her, he cunningly won the nymph's trust, before seducing her. Here Liberi depicts the moment of seduction, with Callisto unable to resist Jupiter's advances while disguised as Diana, his true identity revealed only by the presence of his eagle in the background. Several months later, when the pregnant Callisto was forced to disrobe before bathing with the other nymphs, the violation of her chastity was revealed and a furious Diana expelled her from the forest, whereupon Jupiter's wife Juno, consumed with jealousy, transformed her into a bear. Just as she was about to be attacked by Diana's hunting dogs, Callisto was rescued by Jupiter, who turned both her and her infant son into the constellations Ursus Major and Minor.
Pietro Liberi enjoyed a great deal of success with erotic scenes of this kind, which were highly sought after by his aristocratic patrons in Venice, as well as in the imperial court following his trip to Austria, Hungary and Bohemia in 1658-9. In addition to the outward trappings of success Liberi was created a Cavaliere di San Marco in 1653 and he was also made a Count Palatine by the Holy Roman Emperor Leopold I. The present work is one of a pair of pictures by Liberi that Schulenberg purchased by 1738 for 90 ducats, the other was identified in the inventories as The Three Graces. The detailed inventories also contain valuation details, provided by so-called Professori. This group of appraisers included such renowned artists as Giambattista Pittoni and Giambattista Piazzetta. Indeed the latter is known to have conducted valuations for Schulenburg as well as selling him numerous pictures in the years 1738-1741, as attested by certificates signed by Piazzetta and preserved in the Schulenburg archives (Hanover, Niedersächsisches Staatsarchiv, MS, Dep. 82, Abt. III, N. 37; see also Binion, op. cit., pp. 59-60 and 181-7).
Pietro Liberi enjoyed a great deal of success with erotic scenes of this kind, which were highly sought after by his aristocratic patrons in Venice, as well as in the imperial court following his trip to Austria, Hungary and Bohemia in 1658-9. In addition to the outward trappings of success Liberi was created a Cavaliere di San Marco in 1653 and he was also made a Count Palatine by the Holy Roman Emperor Leopold I. The present work is one of a pair of pictures by Liberi that Schulenberg purchased by 1738 for 90 ducats, the other was identified in the inventories as The Three Graces. The detailed inventories also contain valuation details, provided by so-called Professori. This group of appraisers included such renowned artists as Giambattista Pittoni and Giambattista Piazzetta. Indeed the latter is known to have conducted valuations for Schulenburg as well as selling him numerous pictures in the years 1738-1741, as attested by certificates signed by Piazzetta and preserved in the Schulenburg archives (Hanover, Niedersächsisches Staatsarchiv, MS, Dep. 82, Abt. III, N. 37; see also Binion, op. cit., pp. 59-60 and 181-7).