拍品專文
The fabulously jewelled gilt casket is conceived in early nineteenth century Imperial 'Louis Quatorze' fashion, decorated with facetted Egyptian porphyry evoking Eternity and Roman-mosaiced bands of richly-figured semi-precious stones, crowned by embossed cartouches bearing Diana's crescent-moons displayed in antique-stippled tablets. Like the casket's triumphal-arched and truss-scrolled feet, the drawers recall a Golden Age with bas-relief rainceaux of golden Roman foliage.
The flamboyant use of porphyry as well as precious hardstones suggest a link to the Demidoff family, who were some of the greatest patrons of the arts; and in particular the name of prince Anatole (b. 1813) springs to mind, who was created Prince of San Donato in 1837 and inherited not only the mining imperium from his father but also the Italian estates with the fabulous Villa San Donato near Florence and.
The flamboyant use of porphyry as well as precious hardstones suggest a link to the Demidoff family, who were some of the greatest patrons of the arts; and in particular the name of prince Anatole (b. 1813) springs to mind, who was created Prince of San Donato in 1837 and inherited not only the mining imperium from his father but also the Italian estates with the fabulous Villa San Donato near Florence and.