拍品專文
These beautiful mahogany window-pier tables are designed in the George III 'antique' manner with cupid-bowed and columnar cornered tops. Their marbling with Roman-medallion figuring is echoed by the reeded borders' festive oval medallioned ribbon-guilloche; and the latter is antique-stippled and flowered with Roman foliage en suite with tablets of acanthus rainceaux that project above the columnar, fluted and herm-tapered legs. The gadrooned edge would have harmonised with the frames of contemporary oval-backed chairs, conceived in the French 'cabriolet' style. During the 1760s, the court architect Robert Adam (d.1792) promoted the introduction of useful hinged-tops for tea or card-tables rather than marble slabs in the piers of fashionable London drawing-rooms. Similar legs, with Pan-reeded capitals, featured on stools designed around 1770 by Thomas Chippendale (d.1778) for the rooms decorated by Adam at Mersham-le-Hatch, Kent (see C. Gilbert, The Life and Work of Thomas Chippendale, 1978, fig. 389)