A wood sculpture of Dainichi Nyorai (Mahavairocana)
VARIOUS PROPERTIES
A wood sculpture of Dainichi Nyorai (Mahavairocana)

EDO PERIOD (17TH-18TH CENTURY)

Details
A wood sculpture of Dainichi Nyorai (Mahavairocana)
Edo Period (17th-18th century)
Carved wood with gilding assembled in yosegi technique, the hands in the "knowledge fist" gesture, the hair arranged in a tall topknot and adorned with a hammered-metal crown inset with colored stones, the scarf and skirt arranged in stylized folds and draping across the lap, gilt wood halo, metal necklace, and lotus-form base signed Genbei daibusshi Koyasan (Genbei, Buddhist sculptor [at the monastery complex of] Mount Koya)
20¾in. (52.7cm.), figure
17in. (43.2cm.), base
Exhibited
Honolulu Academy of Arts, Honolulu, Hawaii, "Asian Orientations: Treasures from Honolulu's Oriental Art Society," 1985.7.11--8.22, no. 65

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Lot Essay

Published:
Howard A. Link, ed., Asian Orientations: Treasures from Honolulu's Oriental Art Society, exh. cat. (Honolulu: Oriental Art Society of Hawaii and the Honolulu Academy of Arts, 1985), p. 116, no. 65.

Dainichi Nyorai, the supreme Buddha of the esoteric pantheon, is classified as a Buddha, but is presented here as a bodhisattva in princely regalia. He sits in lotus position, with hair piled in a high top-knot and wearing the crown and jewelry of royalty. The deity forms a distinctive hand gesture, or mudra, called "knowledge fist": his left hand forms a fist with index finger pointing up and grasped by his right hand. Transparent, crystal eyes, the pupils painted in black, were introduced at the end of the twelfth century in keeping with a new search for realism.

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