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A GEORGE III SATINWOOD, HAREWOOD, YEW AND MAHOGANY OVAL CENTRE TABLE

CIRCA 1790, IN THE MANNER OF WILLIAM MOORE OF DUBLIN

Details
A GEORGE III SATINWOOD, HAREWOOD, YEW AND MAHOGANY OVAL CENTRE TABLE
CIRCA 1790, IN THE MANNER OF WILLIAM MOORE OF DUBLIN
The crossbanded top inlaid with a central patera upon stained beech square tapering legs headed by anthemions, the lacquered-brass mounts probably Regency additions
28½ in. (72.5 cm.) high; 28¾ in. (73 cm.) wide; 21 in. (54 cm.) deep
Provenance
Gerald Kenyon, Dublin.
Special notice
No VAT will be charged on the hammer price, but VAT at 15% will be added to the buyer's premium which is invoiced on a VAT inclusive basis.

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Lot Essay

This elegant multi-purpose table, with parquetry inlay of Roman tablets and medallions, reflects the 1770s George III French/antique fashion that was later popularised by Messrs A. Hepplewhite & Co.'s Cabinet-Maker and Upholsterers Guide, 1788 (pls. 61 and 60). Related tables, likely to have been supplied for bedroom apartments at Badminton, Gloucestershire and Brocket Hall, Hertfordshire, have been attributed to the Soho firm of Mayhew and Ince (L. Wood, Catalogue of Commodes: The Lady Lever Art Gallery, London, 1994, fig. 218). Related elliptic-fronted table-cases were made in Dublin for William Southwell's piano-keyboards in the late 1780s by their apprentice William Moore (A. Cobbe, Beethooven, 'Haydn and an Irish Genius: William Southwell of Dublin', Irish Arts Review, 1998, pp.71-76), as well as John Wisdom, who supplied a pier table to Thomas Cobbe for the drawing-room at Newbridge House, Co. Dublin on 20 August 1790 for 5.13.9 (J. Peill, 'Heirlooms of Newbridge House', Irish Arts Review, Summer, 2003, pp. 102-103, fig. 12).

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