細節
石居麻耶
If you can dream, fair sky will be waiting for you
壓克力 炭筆 顏色筆 木板
2008年作
簽名:Maya Ishii
展覽:
2008年11月8-16日「石居麻耶 One day, One Life, One More Dream 展覽」文化村畫廊 東京 日本
出版:
2008年《石居麻耶 One day, One Life, One More Dream 展覽》Yokoi Fine Art 東京 日本 (圖版,第7頁)

被光線在不同的物體反射上所呈現的氛圍和特質所吸引,石居麻耶擅於用畫筆表現各式光線所散發出的靜謐與安詳。她漂亮的作品中流露出的是陽光以及人造光源進入她的世界所煥發出各種層次的氛圍。麻耶本身對於其他範疇的藝術也十分有興趣,披頭四和蕭邦的音樂、安東尼‧聖修伯里(Antoine de Saint-Exupéry ,《小王子》的作者)的童話、Elliott Erwitt 的攝影作品,這些對於她的創作都有相當的影響。這些作品的共同點是飄渺卻又積極、同時讓觀看者產生一種淡淡的憂傷,石居麻耶把這些都融入在她的作品裡。

石居的作品《A Vision for Tomorrow》及《Simple Stroke of Fate》(Lot 1154)中的場景充滿寂寞和空虛的元素,讓石居麻耶有一個平順又抽象的空間可以作出不同的反射。在長巷的遙遠的盡頭,一個孤寂的身影正步向隧道盡頭那比喻和實際存在的燈光。深淺不同的藍調與白光及其倒影取得漂亮的平衡,保持了構圖的冰冷和憂鬱的神秘感。

人類及彼此之間的互動並不是她的作品中的中心元素,而是人們所存在的當時那個氛圍。她的雙眼就如照相機的快門一樣,好像在《If You can Dream Fair Sky Will be Waiting for You》(Lot 1153) 之中表現出那在照耀著城市那片戲劇感濃厚的天空側影,亦是我們習見為常的景象。深藍色陰影下的城市與清明的天空再一次以白色調並列在一起,喚起了在每個人心中都得熟悉和珍愛的光明:那午後和暖的陽光。
出版
Yokoi Fine Art, Maya Ishii One day, One life, One more dream, exh. cat., Tokyo, Japan, 2008 (illustrated p. 7).
展覽
Tokyo, Japan, Bunkamura Gallery, Maya Ishii One day, One Life, One More Dream, 8-16 November, 2008.

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拍品專文

Intensely attracted to light, its reflection onto different surfaces and its atmospheric presence and quality, Maya Ishii paints diverse forms of light in ways that exude silence and serenity. Her beautiful works are bound by an atmospheric glow of different degrees of sunlight, as well as, artificial light that stream into her paintings. She is an artist whose interest in sensorial stimulation varies from the music of the Beatles and Chopin; the writings of Antoine de Saint-Exupery and the works of Elliott Erwitt, which all contribute to her artistic production. Many of these artists' works are ethereal and optimistic and evoke sentimental feelings in the spectator, which she translates in her works.
The scene captured in Ishii's A Vision for Tomorrow Simple Stroke of Fate(Lot 1154) has an element of solitude and emptiness, which perhaps provided Ishii with a literal and abstract space to reflect. Far in the back of a long isle, a lonely figure walks toward the literal and metaphorical light at the end of a tunnel. The varying hues of blue balance the white light and its reflections beautifully, while maintaining the setting's cool and mysterious gloominess.
Humans and their interactions are not the central element to Ishii's works, but rather the environments in which people are found. As if her eyes were the shutter of a camera, as denoted by the peripheral view of a dramatically illuminated sky above a city in If You can Dream Fair Sky Will be Waiting for You (Lot 1153), we too witness an everyday scene. Once more the dark-blue shades of the city and the lighter ones of the sky are juxtaposed with hues of white, aspiring to ambulate a quality of light that each and everyone of us is familiar with and cherishes deeply: the warm light of the afternoon sun. Ishii's soft application of her pens and colour pencils are also reminiscent of Impressionist works for their colour palette and dazed perspective, as well as, treatment of light.

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