On ne s'habitude pas à l'art

細節

Jan Fabre (BELGIAN, B. 1958)
On ne s'habitude pas à l'art
signed and dated 'Jan Fabre 2001' (lower right), and numbered '37/60' (lower left)
print on paper, unframed
image: 32 x 24 cm.
paper: 57.5 x 48 cm.
Executed in 2001. This work is number thirty-seven from an edition of sixty.

注意事項

Artist's Resale Right ("Droit de Suite"). Artist's Resale Right Regulations 2006 apply to this lot, the buyer agrees to pay us an amount equal to the resale royalty provided for in those Regulations, and we undertake to the buyer to pay such amount to the artist's collection agent. Christie’s charges a premium to the buyer on the Hammer Price of each lot sold at the following rates: 29.75% of the Hammer Price of each lot up to and including €20,000, plus 23.8% of the Hammer Price between €20,001 and €800.000, plus 14.28% of any amount in excess of €800.000. Buyer’s premium is calculated on the basis of each lot individually.

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拍品專文

Jan Fabre is an artist, theatre-maker and author. In the late seventies he studied at the Royal Academy of Fine Art and the Municipal Institute of Decorative Arts and Crafts in Antwerp. Fabre's works include installations, sculptures, drawings, films and performances. Over the years he has built up a sizeable body of work and has become internationally acclaimed. His best-known works include "Tivoli", a mansion covered entirely in ballpoint drawing (Mechelen, 1990); "The man who measures the clouds", a bronze sculpture, versions of which can be seen at SMAK in Ghent, DeSingel in Antwerp and in the sculpture garden at Catanzaro in Italy (1998); and "Heaven of Delight", a permanent work commissioned by Queen Paola of Belgium for the Mirror Hall at the Royal Palace in Brussels (2003). Recent solo exhibitions include Jan Fabre in the Louvre, Louvre (2008); Jan Fabre - The Angel of Metamorphosis, Museé du Louvre, Paris (2008); Jan Fabre - De geleende tijd, Bozar, Brussels (2008); and ARCO 08, Deweer Art Gallery, Madrid (2008). He has participated in group exhibitions including the Venice Biennial (1984, 1990 and 2003); Documenta, Kassel (1987 and 1992); the São Paolo Biennial (1991); the Lyon Biennial (2000); the Valencia Biennial (2001); and the Istanbul Biennial (1992 and 2001).